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                     Iceland, 
                      Europe, America 
                    The 
                      second garment-work “Time-cones”, which was 
                      created on an occasion of local Art festival in June 1998, 
                      the artist picked out some thirty friends and acquaintances, 
                      colleagues from abroad as well as countrymen, handout to 
                      them dresses T-shirts on which were printed geometric symbols. 
                      The group of people could use the clothes during the next 
                      two months. They ver kindly asked to document their use 
                      of the garment and send the video film to the artist.  
                       
                      The text is an translation of a review on Radhildur Ingadottir’s 
                      artworks in the cultural magazine Skirnir, spring 1999. 
                      It was written by the art historian Audur Olafsdottir.  
                       
                       
                      An inspiration and touchstone for the recent work of Radhildur 
                      Ingadottir is a mother-of-pearl shell that has been cut 
                      to reveal theelegance of its logarithmic spiral. This image 
                      of the way an organism unfolds in space over a period of 
                      time parallels another image ofspace-time, that of the time 
                      cone. The image of the cone is used by-noted cosmologist 
                      Stephen Hawking to describe the interdependence 
                      of spatial and temporal conditions. At a recent exhibition 
                      at Nylistasafnið / The Living Art Museum (March 13 - 
                      29, 1998), the artist drew time cones directly on the wall. 
                      While Hawking´s diagram 
                      was an initial starting point, the artist re-presented the 
                      cone image, using its geometric logic to extend and elaborate 
                      the form--as if in the elaboration of the time cone, one 
                      might re-imagine time itself. 
                      The artist´s time cones will reappear on dresses and 
                      t-shirts to be worn by thirty persons between mid-May and 
                      mid-June of 1998, the period of Reykjavík´s 
                      annual arts festival. The artist describes these clothing 
                      works as yet another form of mail-delivery coincident with 
                      an ongoing series of letters the artist began in 1996. These 
                      letters are mailed to individuals as well as passed out 
                      in public places. The 
                      first letter, dated October 12, 1996, announced the time 
                      of a solar eclipse. Since then the letters--sometimes including 
                      drawings of the orbits of celestial bodies--have continued 
                      to draw attention to cosmic events. With this recent clothing 
                      work, the artist will use the human body to initiate an 
                      orbiting of the time cone drawings--an image described by 
                      the artist as nothing less and nothing more than "a 
                      beautiful thought." 
                     
                    The 
                      text is written by the art historian Eva Heisler 
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